It's been a week of conflict and argument, most of it about the economy.
The UK Government Spending Review was released, there are blockades and riots in France over changes to pensions, and the papers are full of (sometimes) well argued opinions about which sector of society will be most badly hit by the budget cuts.
But in the midst of debate, work still has to go on. Companies still have to deliver, organisations still have to perform. We still have problems to solve, and we still have opportunities to grasp.
Anyway, the teams, companies and organisations I've worked with over the last few years didn't seem to me to be drowning in floods of excess money. Maybe yours was, but I doubt it.
So how do we to survive the budget cuts? Reframe the lack of money as something to get creative about.
In any case, money doesn't solve problems. Ideas solve problems.
If the problem is important, it needs to be solved. If the idea is good enough, it has to be done. If the opportunity is great enough, the money isn't a cost - it's an investment.
When times are tough, and budgets are cut, try to look at the lack of money as just another problem to be solved by thinking creatively.
No money? Find someone who has money - or something else you can use to solve the problem. Who could we partner with? Who could sponsor this? Who else has this problem that might share the cost of solving it?
Think of new ways to fund things. New ways of paying the bill. New ways of doing business.
Let's get creative!
Friday, 22 October 2010
Thursday, 14 October 2010
Presentation Tip - You must end on time
There’s a Bob Monkhouse line popular with after-dinner speakers that your duty is to “Stand up. Speak up. And shut up”.
It makes a valid point. One of the first things an audience wants from you as a speaker or presenter is for you to stop talking.
Especially if the conference, event or pitch is over-running, they want you to finish on time. If you can cut your presentation down to the time remaining until the close, they’ll love you for it.
You may wish to aim for this and then ask if they’d like more, but leave it up to the audience.
Don’t simply think “I was given an hour, so I’m going to take an hour”. Audiences don’t like you taking them over time, whether they are leaving to go home, desperate for the loo or (heaven forbid) you stand between them and a free bar.
I failed on this point recently. I was given a very prestigious keynote spot for an audience of professional speakers. It was a big moment for me – I was closing the conference, and had just been made a Fellow of the organisation.
I had a great time. Such a great time I forgot it’s about them, not me. I over-ran, and some marked me down for that. Rightly so.
It doesn’t matter how much fun you’re having, or how much fun you think they’re having. Finish on time. And let them come up to you afterwards and say “I could have happily listened to you for much longer”.
Incidentally, if it’s a paid speech, check with the person paying your fee first. It may be that they’d rather move the end-time so that they get the full time for your fee!
It makes a valid point. One of the first things an audience wants from you as a speaker or presenter is for you to stop talking.
Especially if the conference, event or pitch is over-running, they want you to finish on time. If you can cut your presentation down to the time remaining until the close, they’ll love you for it.
You may wish to aim for this and then ask if they’d like more, but leave it up to the audience.
Don’t simply think “I was given an hour, so I’m going to take an hour”. Audiences don’t like you taking them over time, whether they are leaving to go home, desperate for the loo or (heaven forbid) you stand between them and a free bar.
I failed on this point recently. I was given a very prestigious keynote spot for an audience of professional speakers. It was a big moment for me – I was closing the conference, and had just been made a Fellow of the organisation.
I had a great time. Such a great time I forgot it’s about them, not me. I over-ran, and some marked me down for that. Rightly so.
It doesn’t matter how much fun you’re having, or how much fun you think they’re having. Finish on time. And let them come up to you afterwards and say “I could have happily listened to you for much longer”.
Incidentally, if it’s a paid speech, check with the person paying your fee first. It may be that they’d rather move the end-time so that they get the full time for your fee!
Labels:
making a speech,
overrunning,
presentations,
Presenting,
time management
Creative quotations - and a gag or two too
“Every collaboration helps you grow”.
Brian Eno
“The lion and the calf shall lie down together, but the calf won’t get much sleep”.
Woody Allen
“Any book that helps a child to form a habit of reading is good for him”.
Maya Angelou
“Pizza Express sell garlic bread with tomato and cheese. Correct me if I’m wrong, but isn’t that pizza?”
Jimmy Carr
“You should have an idea of what you want to do, but only a vague idea”.
Pablo Picasso
“Don’t sweat the petty things, and don’t pet the sweaty things”.
George Carlin
Brian Eno
“The lion and the calf shall lie down together, but the calf won’t get much sleep”.
Woody Allen
“Any book that helps a child to form a habit of reading is good for him”.
Maya Angelou
“Pizza Express sell garlic bread with tomato and cheese. Correct me if I’m wrong, but isn’t that pizza?”
Jimmy Carr
“You should have an idea of what you want to do, but only a vague idea”.
Pablo Picasso
“Don’t sweat the petty things, and don’t pet the sweaty things”.
George Carlin
Labels:
creative quotations,
creativity,
Jimmy Carr,
jokes,
Picasso,
Woody Allen
Creativity tip: find time to mull
And by mull I mean ruminate, cogitate, switch off and think in a relaxed manner. Not the island off the west coast of Scotland.
At a speakers’ convention last week I took pages and pages of notes. Too many, really, for me to act on them all.
So I planned some time a few days later to read through the notes, to mull them over, and then to decide which were the most important to act upon.
I suspect things might be similar for you – too many things to do, too little time?
I know the last thing you want me to tell you is that you must take time to think. But honestly, it will pay off.
Grab your notebook, get away from your desk, switch off the phone, and take fifteen minutes or so to mull things over. Let your mind wander, and take note of the tasks, actions and ideas that float to the surface of your consciousness.
Those are the important ones.
At a speakers’ convention last week I took pages and pages of notes. Too many, really, for me to act on them all.
So I planned some time a few days later to read through the notes, to mull them over, and then to decide which were the most important to act upon.
I suspect things might be similar for you – too many things to do, too little time?
I know the last thing you want me to tell you is that you must take time to think. But honestly, it will pay off.
Grab your notebook, get away from your desk, switch off the phone, and take fifteen minutes or so to mull things over. Let your mind wander, and take note of the tasks, actions and ideas that float to the surface of your consciousness.
Those are the important ones.
Thursday, 7 October 2010
There's nothing so great as bad poetry.
Today is National Poetry Day in the UK, a chance to celebrate, encourage and enjoy poetry and poets.
Schools pupils bring in favourite poems, and radio and TV programmes have invited poets (or inevitably, celebrities) to discuss and recite poetry. Many newspapers run features on the nation's favourite poems, and events are taking place across the country - including a walking tour of the poetry of the Old Town here in Edinburgh.
But as everyone else celebrates wonderful poetry and great poems, let us take a different course.
Let's celebrate, encourage and enjoy the bad poetry too.
You know who I mean: William Topaz McGonagall, Poet and Tragedian.
Born (and died) in Edinburgh, McGonagall is most associated with Dundee, a town which hardly deserves such a fate.
Revered as "The World's Worst Poet", this sorry title hardly does justice to his perfection in choosing the least appropriate poetic metaphor possible, his complete inability to scan, and his habit of finishing lines with rhymes that, well, just rhymed.
You may know of "The Tay Bridge Disaster":
"Beautiful Railway Bridge of the Silv'ry Tay!
Alas! I am very sorry to say
That ninety lives have been taken away
On the last Sabbath day of 1879
Which will be remember'd for a very long time."
And so on, for 59 gloriously awful, wonderfully excruciating, terrible lines. It's fantastic.
Or "An Autumn Reverie" with, towards the end, its curiously relevant little bit of politics, my name's Ben Elton, good night.
"Oh! Think of the struggles of the poor to make a living,
Because the rich unto them seldom are giving;
Whereas they are told he that giveth to the poor lendeth unto the Lord,
But alas! They rather incline their money to hoard."
You'll have worked out by now that he was a great fan of declamation and the exclamation mark.
When everyone else does one thing, let us do another. So in memory of the great William Topaz McGonagall, I suggest you host a McGonagall Supper, with readings and recitations. To be accurate, you should serve in reverse order, starting with coffee and ending with the starter.
I attend one with old University friends every year, but I'm sure McGonagall wouldn't approve; one of his life's driving forces was the cause of Temperance.
"Oh! thou demon Drink, thou fell destroyer;
Thou curse of society, and its greatest annoyer.
What hast thou done to society, let me think?
I answer thou hast caused the most of ills, thou demon Drink."
I'll drink to that.
Schools pupils bring in favourite poems, and radio and TV programmes have invited poets (or inevitably, celebrities) to discuss and recite poetry. Many newspapers run features on the nation's favourite poems, and events are taking place across the country - including a walking tour of the poetry of the Old Town here in Edinburgh.
But as everyone else celebrates wonderful poetry and great poems, let us take a different course.
Let's celebrate, encourage and enjoy the bad poetry too.
You know who I mean: William Topaz McGonagall, Poet and Tragedian.
Born (and died) in Edinburgh, McGonagall is most associated with Dundee, a town which hardly deserves such a fate.
Revered as "The World's Worst Poet", this sorry title hardly does justice to his perfection in choosing the least appropriate poetic metaphor possible, his complete inability to scan, and his habit of finishing lines with rhymes that, well, just rhymed.
You may know of "The Tay Bridge Disaster":
"Beautiful Railway Bridge of the Silv'ry Tay!
Alas! I am very sorry to say
That ninety lives have been taken away
On the last Sabbath day of 1879
Which will be remember'd for a very long time."
And so on, for 59 gloriously awful, wonderfully excruciating, terrible lines. It's fantastic.
Or "An Autumn Reverie" with, towards the end, its curiously relevant little bit of politics, my name's Ben Elton, good night.
"Oh! Think of the struggles of the poor to make a living,
Because the rich unto them seldom are giving;
Whereas they are told he that giveth to the poor lendeth unto the Lord,
But alas! They rather incline their money to hoard."
You'll have worked out by now that he was a great fan of declamation and the exclamation mark.
When everyone else does one thing, let us do another. So in memory of the great William Topaz McGonagall, I suggest you host a McGonagall Supper, with readings and recitations. To be accurate, you should serve in reverse order, starting with coffee and ending with the starter.
I attend one with old University friends every year, but I'm sure McGonagall wouldn't approve; one of his life's driving forces was the cause of Temperance.
"Oh! thou demon Drink, thou fell destroyer;
Thou curse of society, and its greatest annoyer.
What hast thou done to society, let me think?
I answer thou hast caused the most of ills, thou demon Drink."
I'll drink to that.
Monday, 4 October 2010
Seth Godin doesn't want you to rehearse. Seth Godin is wrong.
I subscribe to Seth Godin's blog. I love Seth Godin's blog. I find it inspiring, entertaining, educational, and enjoyable.
But not always. That's good, because if we agreed with everything we read it would be an awfully boring world.
A couple of weeks ago Seth wrote that "Rehearsing is for cowards".
He quoted Jackson Browne, who I suspect when he said rehearsing is for cowards was being controversial, confrontational, or both. Browne has sold more than 17 million albums, headlined live shows across the world, and written some of the most powerful songs of the last forty years.
And you don't get that good without rehearsing.
The next time you have a presentation to make, or a conference speech, or you're part of a pitch team, please don't fall into the trap of thinking you can wing it. Plan it, prepare it, and rehearse it.
I'm lucky enough to see a lot of great speakers in my job - indeed, I'm just back from the annual convention of the Professional Speaking Association, where I got to watch some of the best speakers in the world perform. I even got to do a keynote myself.
If great speakers look natural, confident, spontaneous and off-the-cuff, that's because they have put the work in to do so. I had a laugh at the convention with the brilliant after-dinner and conference speaker Graham Davies about rehearsing ad-libs. I was only partly joking.
Professional speakers plan and plan and plan. And then they start rehearsing.
Don't think that being under-rehearsed looks 'edgy', spontaneous or relaxed. It looks unprofessional, unprepared, and for the audience, it simply feels awkward.
But not always. That's good, because if we agreed with everything we read it would be an awfully boring world.
A couple of weeks ago Seth wrote that "Rehearsing is for cowards".
He quoted Jackson Browne, who I suspect when he said rehearsing is for cowards was being controversial, confrontational, or both. Browne has sold more than 17 million albums, headlined live shows across the world, and written some of the most powerful songs of the last forty years.
And you don't get that good without rehearsing.
The next time you have a presentation to make, or a conference speech, or you're part of a pitch team, please don't fall into the trap of thinking you can wing it. Plan it, prepare it, and rehearse it.
I'm lucky enough to see a lot of great speakers in my job - indeed, I'm just back from the annual convention of the Professional Speaking Association, where I got to watch some of the best speakers in the world perform. I even got to do a keynote myself.
If great speakers look natural, confident, spontaneous and off-the-cuff, that's because they have put the work in to do so. I had a laugh at the convention with the brilliant after-dinner and conference speaker Graham Davies about rehearsing ad-libs. I was only partly joking.
Professional speakers plan and plan and plan. And then they start rehearsing.
Don't think that being under-rehearsed looks 'edgy', spontaneous or relaxed. It looks unprofessional, unprepared, and for the audience, it simply feels awkward.
Labels:
confidence,
presentation,
public speaking,
rehearsal,
rehearsing,
Seth Godin,
speaking tips
Friday, 10 September 2010
Good. Quick. Cheap. Pick two.
I first heard that mantra from a production director in an advertising agency.
"When it comes to print, there's good, there's quick, and there's cheap. Pick two".
I suspect this 'pick two from three' applies to much more than just printing. In most projects, getting the work done quickly and cheaply rarely results in great work. Having good work done quickly is rarely a cheap option. And if you want good work done cheaply, you generally have to make allowances for a longer delivery time.
I was reminded of this the other day when I drove past a beautifully crafted sign outside a local business which had appeared almost overnight.
It looked superb - a nice typeface, beautiful spacing, nice balance between text and white space. A lovely piece of work.
Except for the spelling mistake in the headline.
Back in the day, I was account handler on the advertising for a large group of hotels. I've worked on several hotel groups, actually, and often they're not the easiest of accounts to run. You tend to take your instructions from the marketing department, but for local activity it's the General Manager's P&L account that pays for the work. So there's often just a little bit of friction.
Anyway, I had been asked to prepare new external signage for an Edinburgh hotel that had just been taken over and refurbished. A large board by the road, advertising the new restaurant and bar, and focussing on the wide range of fine wines and beers available. This was back when having a range of continental lagers was a big thing.
So, we found a great signwriter, got a quote, and I took the estimate to the General Manager. "Four hundred quid?" said the GM. "I can get it done for half that".
And he did. A few days later, as I arrived for our next meeting, I noticed the new sign was up. "Nice sign" I said, as I joined the GM in his office.
"Yes, and it only cost me two hundred quid" he said. "Tea or coffee?".
"Neither, thanks. Can I have a Continental Larger please?"
"You mean a Lager?"
"No, a Larger".
"What's that?"
"I don't know, but it says on your sign outside that you sell them".
He'd had it done quickly, and cheaply. But not well.
If we had done it, it would have been more expensive. But if we'd messed it up, I'd have been responsible for having it re-done, not him.
I know you want everything done quickly, done well, and done cheaply. But honestly, you have to pick two of the three.
"When it comes to print, there's good, there's quick, and there's cheap. Pick two".
I suspect this 'pick two from three' applies to much more than just printing. In most projects, getting the work done quickly and cheaply rarely results in great work. Having good work done quickly is rarely a cheap option. And if you want good work done cheaply, you generally have to make allowances for a longer delivery time.
I was reminded of this the other day when I drove past a beautifully crafted sign outside a local business which had appeared almost overnight.
It looked superb - a nice typeface, beautiful spacing, nice balance between text and white space. A lovely piece of work.
Except for the spelling mistake in the headline.
Back in the day, I was account handler on the advertising for a large group of hotels. I've worked on several hotel groups, actually, and often they're not the easiest of accounts to run. You tend to take your instructions from the marketing department, but for local activity it's the General Manager's P&L account that pays for the work. So there's often just a little bit of friction.
Anyway, I had been asked to prepare new external signage for an Edinburgh hotel that had just been taken over and refurbished. A large board by the road, advertising the new restaurant and bar, and focussing on the wide range of fine wines and beers available. This was back when having a range of continental lagers was a big thing.
So, we found a great signwriter, got a quote, and I took the estimate to the General Manager. "Four hundred quid?" said the GM. "I can get it done for half that".
And he did. A few days later, as I arrived for our next meeting, I noticed the new sign was up. "Nice sign" I said, as I joined the GM in his office.
"Yes, and it only cost me two hundred quid" he said. "Tea or coffee?".
"Neither, thanks. Can I have a Continental Larger please?"
"You mean a Lager?"
"No, a Larger".
"What's that?"
"I don't know, but it says on your sign outside that you sell them".
He'd had it done quickly, and cheaply. But not well.
If we had done it, it would have been more expensive. But if we'd messed it up, I'd have been responsible for having it re-done, not him.
I know you want everything done quickly, done well, and done cheaply. But honestly, you have to pick two of the three.
Labels:
cheap,
good,
print production,
project management,
quick
Subscribe to:
Posts (Atom)
